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Built in 1513, it was restored by architect Segusini in 1836. Typical façade with two bell-towers.
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The original church dedicated to St. Blaise was Romanesque, whereas the present building is supposed to date back to the 14-15th century.
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The church dates back to the 17th century.
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This is where the wayfarers used to rest before setting off up the steep old road leading to Comelico through Pass Zovo. This is perhaps why the lonely shelter, whose existence is documented since 1301, was built, the "cella", future place-name of the village.
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Maybe it existed already in 1100; as the population was growing more and more, it was enlarged till it reached the size of the present church. Simple and majestic at the same time, the outside matches the style of the old Cadore houses…
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A votive building erected after a cholera epidemic (1858) to restore the small church that had been built in 1617.
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The church was ordered by the inhabitants of Auronzo in 1738 to implore to stop the conflict with the inhabitants of Dobbiaco. Finally in 1752 the Austrian Government and the Republic of Venice signed the agreement in Rovereto…
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In 1352 there was already a church dedicated to St. Lucan in Villapiccola. On September 29, 1439 a new Gothic church was consecrated which turned out to be too small to hold the whole population…
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The multi-colored stained glass-windows which have been rearranged and restored several times, are worth seeing. May 26, anniversary of the apparition of the Virgin of Caravaggio in 1432, is a religious holiday.
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There are excellent paintings of the Venetian 17th century and reliquaries of the 18th century.
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Inside the church valuable wooden works by Brustolon, Amedeo da Pos, Giovanni Marchiori and Dante Moro. In the middle of the front façade there is a big medaillon portraying John the Baptist baptizing Jesus by Besarel from Zoldo. Worth mentioning is also the valuable organ by Callido.
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Chiesa di San Bartolomeo in Caprile.
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The little church is of great historic interest; it is dedicated to the Blessed Virgin of Health.
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The church hosts a valuable high altar with beautiful gold-plated wooden ornaments which enclose a painting of St. Anthony, St. Rocco and St. Sebastian, which had once been ascribed erroneously to Titian.
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The church dedicated to St. Lucy has been rearranged and restyled through the times, but its existence is documented since 1336…
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It is located on the highest spot of the slope overlooking the village of Casamazzagno; it is called "The balcony over Comelico" for its breath-taking view. The church was built in 1548 and restored in 1897. Two wooden sculptures and the altarpiece are particularly important. The statues represent St. Leonard and Lucan.
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It is located in the municipality of Complico Superiore in Candide, in the center of the village on the way to Casamazzagno.
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Built as ex voto in 1793, later enlarged in 1889, it was completed with the frescoes and the marble altar in 1950.
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It is the northernmost church from Venice, one of the most beautiful of the region of Belluno. It was consecrated in 1226 and then built all over again in the 16th century. It has only one nave.
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Rebuilt in 1745 on a previous church dating back to 1482, it has one nave embellished with baroque decorations.
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It was erected on the same place where two other churches used to be (13th and 16th century) between 1768 and 1775.
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On the heights of Mount Froppa (1,167 m) there is a small hat-like building that was part of a hermitage founded in 1720-21. The church was dedicated to St. John the Baptist.
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Connected with the church of the Beata Vergine delle Grazie in the neighborhood of Molinà (at the western end of the country) this church is on the opposite side, to the eastern far end of Domegge.
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A Gothic church in which it is possible to admire a fresco dating back to the late 15th-early 16th century.
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This building is by the school of the Battutis, hence existing perhaps since the 16th century; the present church dates back to 1858. There is a painting ascribed to Francesco Vecellio.
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Peculiar for the structure and the "giddy" location the church has an irregular plan with two apses, one of which is three-sided and the other, older, two-sided…
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The new parish church hosts a bas-relief and a wooden crucifix by Dante Moro, a local sculptor; furthermore, the doors and the Stations of the Cross by Augusto Murer, another local sculptor, are remarkable.
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Some major works by Dante Moro, a sculptor from Falcade, can be seen inside: the enormous crucifix in the apse and the three lunettes over the entrance.
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It is undoubtedly the most beautiful and oldest church of the whole region. The steep bell-tower with a Ghibelline spire and the big sundial on the southern façade are the main characteristics of the slender Gothic building. Valuable works of art can be seen inside; among them a wooden crucifix by Giovanni Marchiori and the altarpiece of the high altar portraying St. Sebastian's martyrdom, which is ascribed to the painter Valentino Rovisi.
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Founded in the 10th century on a design by Zoldo and Lavazzo, the present Gothic-Romanesque church (Pieve di San Floriano) that stands on the mound overlooking the channel opening was consecrated in 1487. It is supposed to have been built exactly in the same place where the original church was.
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Beautiful old church dating back to the 14th century.
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The church was built in 1703 after a huge landslide called "Boa" had swept away the old church and part of the country. Valuable altar by Besarel and two canvases by Lazzarini and Ridolfi, respectively.
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Parish church of St. James the Elder dating back to the 15th century.
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Sacrarium to the Italian troops who died in the First World War; there are about 6,000 bodies of known and unknown soldiers.
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Statue in memory of the heroic Caterina Lanz who distinguished herself in battle in 1757.
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Only the step and a statue of St. Rocco remain of the magnificent wooden altar by Nicolò da Brunico (1525). The frescoes by Giovanni da Udine are just as beautiful: they have been removed from the choir of the old church that was damaged by two fires and replaced by the present building in 1841.
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It is in the middle of a wood, in a special atmosphere of devotion, about 1.5 km from piazza IV Novembre.
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The plan of the church with two octagons, of which the smallest is the apse, is the only one of this kind in the whole area. The church is a mixture of baroque and Renaissance. Renaissance decorations can be seen inside on the little mullions. The Swiss pine altar is supported by leaf mullions and has showy volutes on both sides. Marchiò Maier, a sculptor from Gardena, made it.
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This church is ranked as one of the most interesting in the Province of Belluno for the numerous works of art it hosts.
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It is a small "elementary" building because of the irregular pentagonal apses and the unusual lack of a plinth. Its construction dates back to the 15th century.
Inside a central fresco between the bells depicting the Bishop Wolfgang embellishes the simple vaulted nave with slightly Gothic vaulting cells evidenced by thin ribs intercrossing with one another. Worth mentioning is also the wooden altar at the back of the choir, a piece of fine workmanship.
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Young church (1866) built on a design by Segusini…
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Marian shrine managed by the Friars Minor and dedicated to Madonna delle Grazie.
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A Gothic church with numerous valuable works of art inside.
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The chapel consecrated to St. Anthony from Padua is a small sacellum, a tiny and harmonic building dating back to 1726. The fire that destroyed the village of Bach in 1908 did not damage it.
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Building of historical and architectural interest, example of Baroque style, as evidenced by the large curvilinear pediment ending with two side volutes, which embellishes the façade.
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The Janesi's family ordered the little church in the early 19th century. From the outside it seems to fall in with the oldest models: a pentagonal apse and a slim domical-vaulted bell-tower. Inside a domical vault, brought out by little tuff frames and by painted frames, protects the semi-circular choir. In the middle of the vault the Trinity is depicted with the saints on the vaulting cells and the pendentives.
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The first church dedicated to St. Thomas the Apostle was in the village of Porcia, just above the present village of Celat. Unfortunately nothing remains…
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You can see a beautiful wooden antependium by the Chiantre brothers, who were pupils of Comuzzo, and an interesting fresco with "Virgin Mary and Infant Jesus", presented as votive offering in 1512. There are also some canvases, which are ascribed to Cesare Vecellio and Nicola Grassi.
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This church which has recently been restored is a stop along the itinerary "La pittura del '500 dal Piave all'agordino" ("16th century painting from the river Piave to Agordo region"). It is one of the oldest churches in the Agordo region.
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Parish church of St. Lawrence.
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The magnificent 18th-century church of consecrated to St. Martin is in the village of Valle di Cadore, overlooking the valley of the river Boite.
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Small building, architecturally simple, with wooden roofing tiles, the typical little wooden boards that were used to cover dwellings and lodges.
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The shrine dedicated to Regina Pacis is a modern building, a tent-shaped church with one nave. Inside there are works from the sculptor Augusto Murer.
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The church of St. Fosca is in the village having the same name; its terrific location among green fields with the majestic Mount Pelmo as a background makes it one of the most beautiful in the Dolomites.
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In 1894 the regional office for the Italian monuments declared the church national monument. The church is famous for the series of frescoes embellishing the inner walls, which Paris Bordone from Treviso (1500-157 1), a pupil of the great Titian Vecellio, painted between 1532 and 1543. This series of frescoes are rightly regarded as one of the greatest art masterpieces in the Province of Belluno. Inside the church there is the valuable organ by Callido, going back to 1802.
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Essential lines and volumes, it stands alone in the middle of a field…
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A 16th-century church. In recent years the valuable altar by F. Costa and a painting by P. Ricci, called The Lucchese, which is ascribed to the school of Caravaggio, have been restored.
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It looks like a Gothic, barrel-vaulted rectangular hall with a crypt and a double-layered, steeply sloping roof with wooden scaffolding.
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The parish of Fusine was founded in 1615. The archpriestly church dedicated to St. Nicholas had already been erected in the 12th century, but it was rebuilt in the late 17th century and then enlarged in the present century. In recent years the church and the bell-tower have been restored under the supervision of the Monuments and Fine Arts Service concerned. The following works can be seen in the church: "The Last Supper" by Andrea Celesti 1637-1712 (the most valuable of the three paintings under the same title existing in Zoldo); the Crucified by Andrea Brustolon; and on the high altar the canvas of St. Nicholas with Infant Jesus and St. John by Jacopo di Paolo (1711-1794).
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